4. Prostitution
AS IF NEWSPAPERS didn't have to cope with the Internet, the smug
incuriosity of young people, the constant denigration of “mainstream
media” and the rising price of newsprint, nervous publishers have hit
on short-term profits with long-term credibility damage.
Advertising now appears like bedsores on the
front pages of ailing daily newspapers. At the Contra Costa Times,
Executive Editor Kevin Keane wrote, “Some readers accused us of selling
our collective news souls to the highest bidder, while others thought
we were 'cheapening' the day's headlines by running them alongside a
paid promotion."
How true.
Take a look at the cravenly San Francisco Chronicle.
The publisher, an out-of-towner, began in April 2007 to sell the front
page's lower right-hand corner last year to PG&E's cynically
mendacious campaign to color itself green.
Similar retreats
from past proclamations of purity have adulterated front and section
pages at the Mercury NEWS, Contra Costa Times, Oakland Tribune, USA
Today, New York Times, etc. etc.
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AS
SLIGHTLY SOILED doves, these ex-virgins have tried to explain their
fall from grace (“We do it for the money”). But they look like bluenose
Victorians compared to the once-proud San Francisco Examiner.
The Anschutz tabloid on Nov. 16, 2007, sold the entire front page, complete
with eagle, as an “advertising feature” (the warning appeared in tiny
type below the flag, almost invisible). The page became a shrieking
poster for a children's holiday movie topped with a quote in red
48-point caps from publicist and alleged critic Gene Shalit.
More advertising wraps would follow. When a free paper is tossed on your doorstep, how do you cancel your subscription?
Even the New York Times let it be known last year that advertising
would be sold on the front of section pages. If the Gray Lady puts on
rouge and wiggles like a streetwalker, it's not prostitution. No, it's
the latest fashion.
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IN
A NOTE to the Chronicle's disillusioned staff, publisher Frank Vega
explained the Chronicle's front-page sales by writing that advertisers
are attracted by the Chronicle “brand.” (He actually said “brand.”)
Then came the chutzpah: “The Chronicle will continue to produce the
quality newspaper our readers expect. We are committed to delivering
important news, information, and advertising using the variety of
platforms that our readers are accustomed.” (He actually said
“platforms.”)
The platform that comes to mind is the
Sheridan Whiteside character in “The Man Who Came to Dinner,” the 1941
play by George S. Kaufman and Moss Hart. In the imperishable opening
line, he says:
“I . . . may . . . vomit.”
The Geezer Gazoot
tardytimes.com
2008